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Emilie Sandy

  • PORTFOLIO
  • PROJECTS
    • BITS + BOBS
    • VIDEO PORTRAITS
    • BOSS MORRIS 2017-2023
    • SUCCOUR
    • 2 METRES APART: STORIES
    • M IS FOR MOTHERS
    • A MOTHERS GAZE
    • MOTHERHOOD REDEFINED
    • I FOUND A SMALL LEMON TREE
    • I FOUND A SMALL LEMON TREE: FILM
    • I FOUND A SMALL LEMON TREE: PART II (REVISITED)
    • PICTURE MY GRIEF
    • WHEN I AM BIG
    • DEJA VU
  • COMMISSIONS
    • SHE_SEES: MARITIME WOMEN
    • SHE_SEES: FILMS
    • A LETTER TO MY YOUNGER SELF
    • THE TIME IS NOW
    • NOISE MAKERS
    • PUBLICITY PORTRAITS
    • ON-SET PHOTOGRAPHY
    • THE PIONEERS' EDIT
    • STYLED // LIVING
    • MINI LOOKS, BIG STYLE
    • FRAMED STORIES
  • PROJECT STATEMENTS
  • ABOUT
  • CONTACT
  • SAMA CREATIVES
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BITS + BOBS – Kiss

January 18, 2026

KISS
Crazy Nights Tour 1987–88
30 August 1988, Reykjavík, Iceland

My first memory of meeting KISS was at the Hard Rock Cafe in Reykjavík. My cousin Gunnhildur was looking after me and took me to see my parents.

We found them sitting around a large table, with Gene Simmons in the middle. My dad introduced me to the band and Gene said hello — then stuck his tongue out. I was very shy, slightly shocked, and a bit in awe of how long his tongue was. Possibly a little disturbed. Mostly confused.

Now it feels funny — and I wish someone had captured that moment.

The images here are a mix of what I’ve found so far: the tour poster, ephemera, my dad Tony Sandy (who brought the band to Iceland), and official photos from the night shared via the Kiss Army Iceland Facebook group.

The photo of my dad is with another band — I think The Men They Couldn’t Hang — but I need to check that. It’s what I have to hand for now, until I properly rummage through the attic.

#bitsandbobs #kiss #crazynightstour #icelandmusicscene #rockhistory #familyarchive #musicarchives #backstagememories

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BITS + BOBS

Bits + Bobs is an ongoing archive-led project exploring fragments of my parents’ lives and work.

The project has grown out of loss — both of my parents passed away four months apart in 2012 — and a desire to return to that time, to understand it more fully, and to reconnect with my own sense of identity and roots.

One chapter focuses on the music scene in Iceland during the late 1980s, with other chapters emerging over time as the archive expands.

Bringing together photographs, ephemera, interviews, and other people’s memories alongside my own — including personal VHS recordings and recovered broadcast material — Bits + Bobs traces small moments, backstage stories, and cultural fragments. Some are complete, others still in progress — part recollection, part reconstruction.

The project is being developed with the intention of forming a wider public body of work, with potential outcomes including exhibition, moving image, and publication.